(J.M.M.Ys)Janice Maria Mancini Ys (1987) The Netherlands
Artist / painter / visual artist

BUTTON, 100×100 cm, oil paint on canvas, 2026.
ARTIST STATEMENT
I am interested in the moment when a familiar image starts to become something else.
I work across painting, drawing, photography and digital media, using oil, acrylic, ink and Polychromos pencils alongside digital painting and 3D elements. I move between these mediums because the image itself tells me what it needs.
I often begin with something recognizable: a face, a body, a bird, a landscape, a fragment from art history. While working, I distort, cut apart and recombine these forms until their original identity starts to slip. A body can become meat, a bird can become a self-portrait, and an image can turn into something I did not intend to make.
This way of working comes from a fascination with the space between the conscious and the subconscious, the things we carry, but don’t always have words for. Recurring elements in my work include distorted faces, birds, sea and sky, and shifts between pink and blue. In series such asINNING (2026), currently in development, BONING (2025) and BIRDEN (2025), I explore these forms more intuitively, allowing the image to develop through the act of making rather than starting with a fixed answer.
For me, the interesting part is what happens when an image stops behaving the way I expect it to.
For a broader view of my practice and its development over the past decade, explore the full portfolio athttp://www.jmmys.art
Serie: BONING 2025



BONING (50×70 cm kraft papers) is a 7 part-series of oil paintings and polychromos pencils. It is literally breaking down the flesh while metaphorically growing a backbone. Fragmented and suggestive, welcome to the meat parlor.
It marks a shift in my practice, from urban drawing and storytelling toward the abstract subconscious, in a process of decomposition and reformation.












INSERT (81×42 cm) Oil and acrylics on a panel, 2025


Serie: BIRDEN 2025
The serieBIRDEN is like BONING, it digs beneath the surface. Not just into structure or bones, but into the fog that hangs between thought and body.
The word Birden plays with layers, it sounds like “bird,” suggests “burden”.
These figures came sudden and instinctive. Like a pattern I didn’t plan, but knew. As an unaware burden on your shoulders that your brain has trained you to ignore, (sometimes) reinforced by societal conditioning so you wouldn’t notice it. For example, the endless chase for material things.
Flesh and Flora (42×81 cm) Oil and acrylics on a panel, 2025



Work in progress:




MIND (60×60 cm) – LOOSE (50×70 cm) – BIRDEN (60×60 cm) 2025



MY BIRDEN (50×70 cm) Oil on kraftpaper 2025



For a broader view of my practice and its development over the past decade, explore the full portfolio athttp://www.jmmys.art
